Star Bright Sampler Borders 2 & 3

We continue the Star Bright Sampler quilt with Borders 2 and 3.  

Border 2 - Border 2 is a striped border of the background fabric.  Begin by cutting four  3 1/2" strips from the background fabric. 

Layer two of the strips.  Place the ruler on the fold at 18 1/4".  Rotary cut other end.  Strips measure 36 1/2".  

Sew one strip to one side of quilt center.  Sew other strip to opposite side of quilt.  Press seams out.  

Layer other two strips together.  Place the ruler on the fold at 21 1/4". Rotary cut other end.  Strips measure 42 1/2".  

Sew one strip to top of quilt center.  Sew other strip to bottom of quilt center. Press seams out.  Quilt now measures 42 1/2" square.

Border 3 - Border 3 will be split into two weeks.  To begin, cut two 7" strips from the background fabric.  Layer fabric strips together.

Subcut into 7" squares for a total of 12 squares. 

Draw a line diagonally on the wrong side of the 7" background squares.

Cut one 7" square from each of the 12 print fabrics for a total of 12 squares. 

Layer together one 7" background square and one print square, right sides together.  

Sew 1/4" from diagonal line on background square.  Press to control any puckering.  Sew 1/4" on other side of diagonal line on background square.  Press.

Cut sewn squares in half on diagonal line.  

Trim triangle to 6 1/2" with 45 degree line placed on seam line.  

Press triangle open towards darker fabric.  Make 24 squares in total.  Set aside.

Next week we will continue and complete Border 3.  

Rail Fence Border

A few weeks ago we began to build our quilt around the Winter Birds center.  I have begun a second quilt to demonstrate with. This is to be my "Queen Bee" quilt.  I will oscillate between this Queen Bee quilt and my Winter Birds for instructional purposes.

The rail blocks have been sewn together and there should be 20 of them.  To create the first two borders, sew four blocks together for each border being aware of the horizontal and vertical placement of each as indicated in your written instructions.

It is important to begin each row with the first block in the same orientation.  As shown here, my borders begin with a block with the rails in the horizontal position.  Having this first block in the same orientation for each row will ensure that all of the blocks are arranged in a horizontal then vertical position all around the quilt. Notice the close up of the arrangement of the first block below.

When the first two borders are sewn together, sew the first border to one side of the appliquéd center, right sides together, with the horizontal block in the first position where your sewing begins.  Press the seam out.

Then sew the second border to the opposite side of the appliqué center, again with the horizontal block in the first position.  Press the seam out.

First two borders sewn to appliqué center on opposite sides.

Next, arrange the remaining blocks into two borders of six blocks each, again beginning the row with a block with the rails sitting in the horizontal position.

Sew together.  With right sides together, sew to opposite sides of the appliqué center with the horizontal-positioned block at the beginning position of your sewing.  Press seams out.

The quilt will now measure 36 1/2" square.  Next week, we will work on adding Border 2 and beginning the half-square triangles for Border 3.

Until then, enjoy your sewing and have a beautiful week.

Star Bright Sampler Tutorial Begins

The quilt is built by adding borders to a 24 1/2" square center.  The Winter Birds began in class will need to be trimmed to the 24 1/2" required size.  The center strips were originally cut to be 24 1/2" long.  However, when sewn together, the width will need to be adjusted.  Measure the width of the Winter Birds center.  It may be off by as much as 1".  Divide the amount to be adjusted in half and cut half from both sides.  For example, if 1" too wide, cut 1/2" off of both sides.  Center will now measure 24 1/2".  Set aside and we will begin the first border of rail blocks.

RAIL BLOCK BORDER

12 fat quarters are required for the Rail Block Border.  

Cut two strips 2 1/2" by the length of the fat quarter.  

Subcut strips at 6 1/2". 

Cut 5.  Put the scraps aside to use for the Log Cabin block in the next border.

Separate the strips to mix them up.

Randomly sew two strips together 20 times.  Do not yet press.

Add one strip to a pair.  Press seams in one direction.  This is the Rail Block.  Make 20.

That is enough for today.  In the next post in two weeks, we will put rows together and sew to center.

Star Bright Sampler Tutorial

Beginning Tuesday, November 11, 2025, I will begin posting instructions on incorporating our Winter Birds project into my Star Bright Sampler quilt.

I will guide you step-by-step through the cutting and sewing of each border. There are eight of them.  Feel free to consider the quilt completed as you reach the desired sized quilt.  If you have any questions, please feel free to contact me via text.

Thank you for allowing me to guide you through our winter break. This gives me an opportunity to stay on track and get back into being on the computer.  

See you next week.

Completing the Old, Beginning the New...

My tree/sunset quilt is quilted.  Interestingly, I have not titled the piece.  I usually have it titled before it is finished.  Oh well, it will come to me.

The quilting was somewhat minimal which tends to be my style.  I prefer all to be balanced.  As such, the sunset panels were done with simple straight line border quilting and stitch-in-the-ditch inside the panels and around the suns.













The tree panel has stitching to create motion, both in the tree trunk and in the background. 












The gold symbols were inspired and stitched in metallic thread.  Because of their abstractness, they are able to reflect the opinion of the viewer.






To bring in more texture, needlework is being added as the "tails" of the kite-shaped leaves.  The idea is to brighten up the piece a bit and draw the eye to the leaves without overpowering the piece.  These details are time-consuming to stitch and are not yet done.

Once complete, I will have the art quilt stretched on a frame, rather than completing with a binding.  Because of the dimensional aspects (that are difficult to see here) incorporated, stretching it will assist in popping those details.

Now I am on to my newest inspiration:  a butterfly quilt.  Butterflies have been a part of my life in many artistic forms.  The first published Quilt Whimsy pattern had a butterfly in it.  This will be the first stand alone, detailed butterfly I have done.

This art quilt was inspired in a vision.  I began it by drawing a wing on freezer paper.  The wing size is 14" x 17".

As I have not done this style of quilt before, I was a bit befuddled as to how to create the intricate black filigree.  My solution is to trace this wing, and its mirror image, onto fusible interfacing as shown here.  The interfacing pattern will now be fused and stitched onto the black fabric.  Once stitched, I will then be able to cut the spaces out.

Wish me luck.  I will share when I move to the next step.

Love and blessings,
Karri

Unfinished Art Quilt Project in Completion Stage...

This tree (without the leaves) was constructed in a Ruth McDowell class in 2008.  I immediately knew how I wanted to finish it but had not been willing to put the time in, until now.

Luckily, the original fabrics and the majority of the fabrics for completion were kept together all these years.  Work  was begun by appliqueing the leaves.  The applique technique used was turning the edges under and machine stitching with invisible thread.

In the original design, a panel of waning sunsets was part of the vision.  As the construction of the individual sunsets was completed, they seemed to call for more detail.  

One morning while lying in bed, I envisioned these leaves surrounding this sun.  I found the idea interesting and went with it.  As the first one was finished, the two other surrounding designs fell into place.  All details are embroidered with some light beading.

The art quilt construction is complete.  The quilting and some additional needlework details in the works now.  I will post again soon, another unfinished project off my shelf.

Love and blessings,
Karri

Single-fold Binding for Art Quilts and Wall Hangings

My quilting journey began making lap quilts, bed quilts, quilts that are everyday usable quilts.  As such, I was taught how to make a double-fold binding.  It never occurred to me that there was any other style of binding.  So as I transitioned into art quilts, I continued using the style I was taught.  One day, through another quilt artist, I came upon what is called the single-fold binding.

I now questioned the use of the double-fold binding and became informed that double-fold binding is used for everyday quilts used as coverings because that makes them stronger; they hold up better to the tugging and pulling done to keep the quilt on our bodies.  Single-fold bindings on everyday quilts tend to fray when used often.

Art quilts hang on a wall.  As the purpose is to finish the quilt and add a design element, there is no need for the double-fold binding, unless it is used as a design element as I do for some quilts.  A single-fold binding uses less fabric and is easier to manipulate.

Here is how I make a single-fold binding.

Begin by cutting the binding strips 1 1/2" wide.  The inches needed to surround the quilt will remain the same.  Sew the strips together in your preferred way.  Fold one edge of the stripped binding over 1/4" and steam iron the entire length of the stripped binding.

The binding strip will look like this.

Place the raw edge of the strip onto the front side of the quilt.  I begin my binding approximately 1/3 from the bottom edge and leave a tail at the beginning of 8" to 10" to join when the binding comes around the quilt and meets.

When sewn to the front, turn over and hand sew to the back with the needle grabbing the folded over edge.  If you would like to machine sew both sides, begin by sewing the raw edge of the back and flipping the binding to the front and then sewing along the folded edge.

And here is the finished piece, all ready for shipping in plenty of time for my sister's birthday (boy, is that unusual :)  Thank goodness for this UFO. 

Please share if you have another style of binding to use.  I would love to increase my reservoir of binding types.

This is my Show & Tell.  I look forward to receiving any photos you would like to share for Show & Tell.

Love and blessings,
Karri